Film & Mono previewv1

Preview photo: Brooke Cagle on Unsplash — graded with each look at 100%.

WHAT IT IS

The feeling of film. And of silver.

8 analog-inspired looks and two black & white LUTs. Inspired by film, not copies of any stock.

  • 10 files · 2.3 MB download
  • No account, no email — just download.

HOW TO USE · FROM THE README INSIDE THE DOWNLOAD

What's inside

Creative LUTs (.cube, 33-point). License: CC0 — free for any use, see LICENSE.txt.

Important

These are CREATIVE LUTs for Rec.709 footage.

Apply them AFTER your footage is converted/corrected to Rec.709.

Shooting Log (V-Log, S-Log3, C-Log, D-Log...)? First apply your camera's official Log-to-Rec.709 LUT, then one of these on top.

Premiere Pro

Lumetri Color → Creative → Look → Browse… → pick a .cube file.

Use "Intensity" to dial it in (most looks are best at 60–90%).

Tip: put Lumetri on an Adjustment Layer to grade the whole timeline at once.

DaVinci Resolve

Project Settings → Color Management → Lookup Tables → Open LUT Folder, copy the .cube files there, click "Update Lists". Then in the Color page: right-click a node → LUT → pick the look. Use Key Output Gain to reduce strength.

Final Cut Pro

Effects → Color → Custom LUT → Choose Custom LUT… → pick a .cube file.

Expose and white-balance first: LUTs look as good as the footage under them.